Altered now with the transpositions connected with male to female
Writing on the viceroy of Sardinia which, at the opening of their essay on “The Theater and the Plague, ” “had a new particularly afflicting dream, ” Artaud asks: “But can it be too late to prevent the particular scourge? Even demolished, actually annihilated, even pulverized and even ingested to the exact marrow, he is aware that we do not die throughout our dreams, our are going to operates even in absurdity, even in the negation associated with possibility, even around the elementumwandlung of deception from which real truth can be remade” (15). If the viceroy “wakes up” for this conclusion, as if between him and plague presently there was “a palpable communication” (17)—confirming Artaud in “the notion involving symbols in addition to archetypes which will act like private blows, beds down, advances of the heart, subpoena of the lymph, inflamed images thrust into all of our quickly wakened heads, ” enumerating the powers “we hail as symbols” (27)—the trouble with symbolist episode (as with expressionism later) is the thrilling promise of a transfigured fact, to be able to which we break through typically the dreaming, leaves all of us with the never ending irony associated with something to be wanted, not necessarily not like the phantasm connected with virtual reality within a cyberspatial world. We seem to be offers something different, outside, past, outdoing to all appearance the particular system of manifestation, but once there's an alluring vertigo in the hallucina